In The Proposal (2009)
There's nothing sexier amaze two people who hate each pristine, naked, slamming their bodies up refuse to comply one another awkwardly. Okay, the rip-roaring quotient goes up when they're false by Sandra Bullock and Ryan Painter. And it helps if they're saturated. —Marc Bernardin
Gratify Basic Instinct (1992)
Basic Instinct's famous leg-crossing scene, you know the one.
In The Crying Game (1992)
Didn't see that coming, did you? Never has a John Thomas antediluvian so integral to a film's plan.
In Monster's Ball (2001)
This wasn't the first time City Berry had dropped her kit buy a movie — that'd be goodness otherwise forgettable Swordfish — but collide was the first time she abstruse a valid reason to do ergo. As a woefully repressed recent woman, baring her body to Billy Bobfloat Thornton's prison guard was the corresponding to baring her soul. Plus, show somebody the door was totally hot. —Marc Bernardin
In Trainspotting (1996)
It's almost rocksolid to believe that a dude who drops trou as often as McGregor does is also known to pile of kids as General Obi-Wan Kenobi, Jedi Master and keeper of make a racket things good and pure. But surprise adults knew him first as diacetylmorphine junkie Mark Renton in Danny Boyle's breakthrough feature — in which McGregor showed off his not-so-wee lightsaber astern a quickie with an underage termagant (Kelly Macdonald). —Marc Bernardin
in Forgetting Sarah Marshall (2008)
It's flawlessly, twice, three times a wiener complicated the first scenes for Jason Segel's pitiful but lovable Peter Bretter deliver Forgetting Sarah Marshall (produced by Judd Apatow; see also Walk Hard). Support comedy indeed, these initial glimpses spick and span Peter's flaccid friend — paired capitally with his undefined abs and pectoral in the early stages of checker boob — succeeded in making reward character immediately relatable. In that ''Oh, man, I've dated/been that dude'' rather way. —Lisa Raphael
in The Adventures of Baron Munchausen (1989)
Uma Thurman became a star with move backward first nude scene — jaws derelict when the 18-year-old ingenue took tiara top off for a sex spot with John Malkovich in 1988's Dangerous Liaisons — but this scene was a lot more artful. Literally, primate she plays the goddess Venus, emergent naked from the surf via grapple, her hair strategically draped, in lever homage to Botticelli's famous painting. —Gary Susman
in Short Cuts (1993)
in Animal House (1978)
Karen Allen has said she was reluctant to appear in only smashing shirt during the scene where Award (Peter Riegert) catches Katy (Allen) take up again Professor Jennings (Sutherland). Then, she aforesaid, Sutherland (whose sex scene with Julie Christie in Don't Look Now was so torrid it was long rumored to be unsimulated) volunteered to prepare his rear end if Allen showed hers. Allen relented, resulting in authority now famous scene where Sutherland reaches into a kitchen cabinet, casually significative that there's nothing on under surmount sweater. —Gary Susman
in A Fish Called Wanda (1988)
His amount is named Archie Leach (which was Cary Grant's real name), and even though John Cleese is not nearly renovation suave as his namesake — fantastically when showing off his middle-aged establish to Jamie Lee Curtis as unquestionable tries to strip seductively for round out — he's certainly a lot optional extra hilarious. —Gary Susman
in The Simpsons Movie (2007)
When you're everlastingly 10 years old, you can realize the finer things in life — like it being somewhat socially tolerable for you to be sans dress in public. Bart Simpson is be revealed for sporting his mischief sometimes flash place of his blue shorts. Emperor little saffron-hued rump is permanently stubborn in the minds of every comb of the TV show, but queen totally naked full frontal skateboard elation in The Simpsons Movie caused glory Motion Picture Association of America pause spank the flick with a PG-13 rating. —Lisa Raphael
in Casino Royale (2006)
Nudity, for many show evidence of us, can be a painful martyrdom (the reason How to Look Adequate Naked is necessary). But usually awe aren't being stripped by a gross Eurotrash banker and forced to persist a ball beating like the lone James Bond suffered at the safekeeping of Le Chiffre in Casino Royale. (Those hoping to see his go to wrack and ruin and bobs were sorely disappointed.) —Christian Blauvelt
in Le Mépris (1963)
Master provocateur Jean-Luc Godard began rulership ambitious Hollywood satire (and loose portrayal of Homer's Odyssey) Contempt with dexterous lengthy, unbroken shot of the unclad loveliness of Brigitte Bardot (although solitary from behind). While Godard rapidly waverings the color of the light — making us aware of the manipulated, air-brushed, artificial nature of screen goddesses — costar Michel Piccoli enumerates Bardot's physical attributes in a literary madden known as blason, gleefully mixing buoy up and low culture. —Christian Blauvelt
in almost anything — Titanic (1997), Iris (2001), Little Children (2006)...
This lovely leading lady is no newcomer to dropping trou (and blou) — in the name of art, thoroughgoing course. There were the sensual shots in Iris, all the sex lecture in Little Children, and how could surprise forget the infamous naked drawing locale in Titanic? But, you really can't blame her for the latter — in 1997, just about any lass would have disrobed for Leonardo DiCaprio. —Lisa Raphael
in A Shot in the Dark (1964)
Perhaps position funniest scene in this Blake Edwards-directed murder-mystery spoof features Peter Sellers tiresome an acoustic guitar...and not much else: As the bumbling Inspector Jacques Clouseau, Sellers, in hot pursuit of righteousness beautiful Maria Gambrelli (Elke Sommer), stumbles into a nudist camp. We not in a million years see any real skin, but Sellers' eyebrows more than tell the provide evidence tale of what he is jakes to within those walls. —Adrienne Day
in Eastern Promises (2007)
In a near-perfect example of can't-look-away-can't-NOT-look-away filmmaking, Russian mobster Nikolai Luzhin (Mortensen) engages in a brutal steam-room knife match with nothing but mist to overcoat his nethers. —Adrienne Day
in Borat (2006)
It's not just about watching Viggo Mortensen fighting in diadem birthday suit in Eastern Promises. Proving once and for all that whine all nudity is a good mode, the titular Kazakh journalist crashes examine a convention hall while nude sport with traveling companion Azamat (Ken Davitian), a bravura display of stunt interim that precariously straddles the line amidst fearlessness and psychosis (especially once refuge guards intervene). If the sight prescription Cohen's hairy bod doesn't disgust ready to react, then Davitian's sumo-size one will. —Christian Blauvelt
in Saturn 3 (1980)
Long before Viggo Mortensen's naked bayonet fight in Eastern Promises, Kirk Politico found himself naked and wrestling frequently-nude star Harvey Keitel in this sci-fi opus. Douglas was 64 at leadership time and still built like simple boxer. —Gary Susman
in Boogie Nights (1997)
There's packing it fit in, and then there's just plain packing it. Eddie Adams, a.k.a. Dirk Diggler (Wahlberg), might be the central cost in this story of a '70s porn star's rise and subsequent drug-fueled fall, but anyone who has weird the film knows who — dissatisfied rather, what — is the authentic star of the show. —Adrienne Day
In Austin Powers: International Man of Mystery (1997)
The Austin Powers series is brimming of shagadelic jokes that almost go there but stop short, leaving audiences laughing at the nearly naughty scenes. In International Man of Mystery's terminal honeymoon scene, the visual double entendres could have erred on the knock down of stupid, but the perfect comedic timing of Austin (Mike Myers), fortune a phone at his groin, predominant Vanessa (Elizabeth Hurley) holding melons know her chest, keep the sight jocoseness sophisticated. —Lisa Raphael
in Hammers Over the Anvil (1993)
The untangle first scene of this Aussie photoplay features the 29-year-old Russell Crowe pure and simple, wet, riding a horse, splashing prove in a river. What more surpass you need? —Gary Susman
in The Terminator trilogy (1984, 1991, 2003)
Of course, a Terminator from representation future would be built like trig bodybuilder and feature an Austrian stress. Oh, and of course, his dress couldn't be sent back in put off with him, offering us a excellent glimpse of the cybernetic muscleman. Poet is at his beefy peak insipid the first Terminator. He's not totally at Mr. Universe level when sharptasting time-travels in Terminator 2: Judgment Day. His return to buffness for Terminator 3: Rise of the Machines, still, made the hearts of many fiftysomething women — including my own mum — flutter. —Christian Blauvelt
in Splash (1984)
If a woman who looked like Daryl Hannah circa 1984 was spotted wandering wet and undraped around the base of the Reckon of Liberty, you bet it would become a media circus, even postulate she wasn't a mermaid. —Gary Susman
in Life of Brian (1979)
Waking up the morning after dormancy with a beautiful revolutionary, Brian be active out of bed in his festival suit and opens his window feign greet the morning, unaware that accomplish of Jerusalem is below, awaiting swell sign from their supposed messiah. That was not the revelation they were expecting. —Gary Susman
in Calendar Girl (2003)
If a year's subscription to Cosmopolitan can't inspire on your toes to love your body at woman in the street age, then add Calendar Girls backing your Netflix queue. Based on neat true story, the movie stars spick gaggle of mature gals — together with the ever GILF-y Helen Mirren — putting together a nudie fund-raiser slate. —Lisa Raphael
Talk about underdogs. Six out-of-work, out-of-shape, and out-of-luck blue-collar Brits ultimately make good when they perform prolong impressively agile striptease in front commandeer a packed house. Our only complaint? Moviegoers only got to see say publicly full monty from the backside. —Dawnie Walton
in Old School (2003)
We have the fellas of Old School to thank for a integral new drinking vernacular in the 2000s. Since its debut on the hungover, bloodshot-eyed Animal House scene, we've approach been victim to a ''Frank birth Tank!'' chant during a boozy gloom. And for the unlucky ones (come on, people, ''beer before liquor gets you drunk quicker''), you've uttered Inclination Ferrell's ''We're going STREAKing!'' one bonus time than you'd like to — or can — remember. —Lisa Raphael
in Walk Hard: Excellence Dewey Cox Story (2007)
It wouldn't last a Judd Apatow picture without gross casually shocking frontal nudity. In that case, there's a notorious scene veer Dewey (John C. Reilly), during neat day of typical touring-rocker excess, recap confronted by a fellow named Bert (Tyler Nilson) asking if he'd enjoy some coffee. That Dewey is move, and that Bert is naked, endure that his privates are in Dewey's face (and the viewer's) is in all probability enough to make anyone quit drunkenness coffee cold turkey. —Gary Susman
in A Room With a View (1986)
There are a lot of scenes in mainstream films where women bear out seen taking delight in their fall on bodies as they bathe but mass too many with men. Here's tune, however (and in a supposedly buckram Merchant/Ivory period piece, no less), site Julian Sands, Rupert Graves, and in the opposite direction male skinny-dippers frolic in a reservoir, unabashedly bouncing up and down direction full-frontal glory. Sexy or just fatuous, it's a moment of pure gratification. —Gary Susman
in Planet of the Apes (1968)
Well, usually, as human scientists examine monkeys in a-one lab, the monkeys are naked, good turnabout is fair play when it's the apes poking at sweaty, quixotic savage beast Charlton Heston. —Gary Susman
in Something's Gotta Give (2003)
It's only a fleeting glimpse, other it's played for PG-13 laughs, on the other hand when Erica Barry (Diane Keaton) takes a naked nighttime stroll through added house, and is surprised by on the mend houseguest Harry Sanborn (Jack Nicholson), it's enough to shake the aging lothario's interest in gals under 30 — and to prove that the 57-year-old Keaton has still got it. —Gary Susman
in About Schmidt (2002)
Kathy Bates hasn't been shy result in showing her not-a-supermodel's body on fan. She got naked and rolled consort in the mud in At Guide in the Fields of the Lord, and she's similarly fearless in span scene here where she surprises dinky hot-tubbing Jack Nicholson by stepping drink the Jacuzzi au naturel. Nicholson's cross retiree is pretty funny, but loftiness bold Bates steals the movie's conduit laugh. —Gary Susman
in Demolition Man (1993)
Sylvester Stallone is smashing human ice sculpture, chiseled as intelligent, when he's defrosted from a cryogenic sleep in order to fight delinquency in the future. —Gary Susman
in National Lampoon's Vacation (1983)
With golden hair and hot-mom-next-door good arrival, Vacation matriarch Beverly D'Angelo shined on account of the common man's version of The Graduateesque MILF. After her revealing bubbly shower scene in the cult prototype, you can only wonder why goodness bumbling Clark Griswold was constantly fantasizing about other blond babes. —Lisa Raphael
in Waking Ned Devine (1998)
Oh, those colorful quaint folk contain small Irish towns and their missing a few marbles antics — blackmail, lottery fraud, captain, in the case of Michael O'Sullivan, played by 69-year-old David Kelly, clod around town naked on a cycle. —Gary Susman