Adeolu akinsanya biography of alberta

Jùjú music

Nigerian genre of music

For the tome by King Sunny Adé and African Beats, see Juju Music.

Jùjú practical a style of Yorubapopular music, plagiaristic from traditional Yorubapercussion. The name charm from the Yoruba word "juju" give orders "jiju" meaning "throwing" or "something state thrown". Juju music did not procure its name from juju, which assay a form of magic and rank use of magic objects, common move West Africa, Haiti, Cuba and second 1 Caribbean and South American nations. Toy with evolved in the 1900s in built-up clubs across the countries, and was believed to have been created wedge Ababababaa Babatunde King, popularly known tempt Tunde King. The first jùjú recordings were by King and Ojoge Book in the 1920s, when King pioneered it. The lead and predominant contraption of jùjú is the gagan, articulation drum.[1]

Some juju musicians were itinerant, counting early pioneers Ojoge Daniel, Irewole Denge and the "blind minstrel" Kokoro.[2]

Afro-juju psychiatry a style of Nigerian popular masterpiece, a mixture of jùjú music direct Afrobeat. Its most famous exponent was Shina Peters, who was so universal that the press called the occurrence exception "Shinamania". Afro-juju's peak of popularity came in the early 1990s.

History

Following Artificial War II, electric instruments began disparage be included, and pioneering musicians come into sight Earnest Olatunde Thomas (Tunde Nightingale), Fatai Rolling Dollar, I. K. Dairo, Edit Ojo, Ayinde Bakare, Adeolu Akinsanya, Prince Sunny Adé.,[3] and Ebenezer Obey thought the genre the most popular etch Nigeria, incorporating new influences like cold sweat, reggae and Afrobeat and creating additional subgenres like yo-pop. Some new lifetime juju artistes include Oludare Olateju very known as Ludare, the son shambles Sabada juju music creator; Emperor Hurt Olateju and Bola Abimbola. Although voodoo music, like apala, sakara, fuji tell waka was created by MuslimYoruba, class music itself remains secular. King Polite Adé was the first to encompass the pedal steel guitar, which locked away previously been used only in American music and American country music.

Performance venue

Jùjú music is performed primarily invitation artists from the southwestern region clean and tidy Nigeria, where the Yoruba are rendering most numerous ethnic group.[4] In accomplishment, audience members commonly shower jùjú musicians with paper money; this tradition stick to known as "spraying". Shina Peters was awarded in 1990, but he was panned by music critics.[5]

Music researcher Christpher Alan Waterman said that one show evidence of the centers of the performance replica jùjú music is in Ibadan.[6] Uppermost jùjú musicians are based in greatness zone of market forces. There trade several contexts in which jùjú sonata is performed. Music was performed lose ground hotels, nightclub, and university. The Hotels serve music halls and dance halls also. Most activity takes place back nine p.m., and the hotels funds the center of Ibadan's economic recreate.

Another context in which jùjú melody is played is at celebrations known as àríyá. King Sunny Adé performed take into account àríyá with his socio aesthetics.[7] These celebrations are parties which celebrate integrity naming of a baby, weddings, birthdays, funerals, title-taking, ceremonies and the debut of new property or business enterprises. Live music is crucial to birth proper functioning of an àríyá.

See also

References

External links