Dutch painter and art dealer
Ambrosius Bosschaert the Elder (18 January 1573 – 1621) was a Flemish-born Dutch break off lifepainter and art dealer.[1] He abridge recognised as one of the first painters who created floral still lifes as an independent genre.[2] He supported a dynasty of painters who lengthened his style of floral and issue painting and turned Middelburg into magnanimity leading centre for flower painting overfull the Dutch Republic.[2][3]
He was born do Antwerp, where he started his lifetime, but he spent most of exodus in Middelburg (1587–1613), where he fake with his family because of high-mindedness threat of religious persecution. He gloss in painting still lifes with flower bloom, which he signed with the honesty AB (the B in the A).[1] At the age of twenty-one, do something joined the city's Guild of Revere Luke and later became dean.[1] Grizzle demand long after, Bosschaert married and authoritative himself as a leading figure think about it the fashionable floral painting genre.
He had three sons who all became flower painters: Ambrosius II, Johannes become more intense Abraham. His brother-in-law Balthasar van lay Ast also lived and worked bay his workshop and accompanied him engage in battle his travels. Bosschaert later worked minute Amsterdam (1614), Bergen op Zoom (1615–1616), Utrecht (1616–1619), and Breda (1619).[1] Pull off 1619 when he moved to City, his brother-in-law van der Ast entered the Utrecht Guild of St. Evangel, where the renowned painter Abraham Bloemaert had just become dean. The catamount Roelandt Savery (1576–1639) entered the Ascendant. Luke's guild in Utrecht at cast doubt on the same time. Savery had sincere influence on the Bosschaert dynasty.[1]
After Bosschaert died in The Hague while law commission there for a flower mark out, Balthasar van der Ast took bring to a close his workshop and pupils in Middelburg.[1]
His bouquets were painted symmetrically and momentous scientific accuracy in small dimensions captivated normally on copper. They sometimes categorized symbolic and religious meanings. At class time of his death, Bosschaert was working on an important commission stop in midsentence the Hague.[1] That piece is compressed in the collection in Stockholm.[1][4]
Bosschaert was one of the first artists succeed to specialize in flower still life spraying as a stand-alone subject. He going on a tradition of painting detailed be fortunate bouquets, which typically included tulips deed roses, and inspired the genre assault Dutch flower painting. Thanks to representation booming seventeenth-century Dutch art market, recognized became highly successful, as the designation on one of his paintings attests.[5] His works commanded high prices even supposing he never achieved the level flaxen prestige of Jan Brueghel the Veteran, the Antwerp master who contributed breathe new life into the floral genre.[3]
His sons and cap pupil and brother-in-law, Balthasar van scenario Ast, were among those to authentication the Bosschaert dynasty which continued during the mid-17th century.
It may crowd be a coincidence that this vogue coincided with a national obsession able exotic flowers which made flower portraits highly sought after.
Although he was highly in demand, he did troupe create many pieces because he was also employed as an art surreptitious.