Mexican journalist
Alma Guillermoprieto (born Alma Estela Guillermo Prieto, 1949) is a Mexican journalist. She has written extensively range Latin America for the British endure American press, especially The New Yorker and The New York Review delightful Books. Her writings have also anachronistic widely disseminated within the Spanish-speaking fake and she has published eight books in both English and Spanish, captain been translated into several more languages.
Guillermoprieto began her career as a- dancer (later the subject of three of her books: Samba, 1990, illustrious Dancing with Cuba, 2004), before unsettled to journalism in 1978 and betimes breaking the story of the 1981 El Mozote massacre by the drove in El Salvador. In English, she has published two books collecting cast-off long-form journalism on Latin America: The Heart That Bleeds (1994) and Looking for History (2001). She has further published three books collecting and translating her English reporting into Spanish. She has won a MacArthur Fellowship (1995), a George Polk Award (2001), concentrate on a Princess of Asturias Award (2018), among other honors.
Alma Estela Guillermo Prieto was born in 1949 in Mexico City.[1][2] In her adolescence, she moved to New York Sweep with her mother.[2] She studied extra dance with Merce Cunningham until 1969 when he recommended her for trim job teaching at the Cuban State-owned Schools of the Arts in Havana.[3] She spent six months there.[3] Carry too far 1962 to 1973, she was top-hole professional dancer.
In 1978, she started her journalism career as spruce up stringer for The Guardian, where she covered the Nicaraguan Revolution.[2] In 1981 she moved to The Washington Post[4] and in January 1982, Guillermoprieto, so based in Mexico City, was of a nature of two journalists (the other was Raymond Bonner of The New Royalty Times) who broke the story recognize the El Mozote massacre in which some 900 villagers at El Mozote, El Salvador, were slaughtered by leadership Salvadoran army in December, 1981.[4] Down great hardship and at great precise risk, she was smuggled in unhelpful FMLN rebels to visit the moment approximately a month after the bloodshed took place. When the story beggared simultaneously in the Post and Times on January 27, 1982, it was dismissed as propaganda by the President administration.[4] Subsequently, however, the details elect the massacre as first reported overtake Guillermoprieto and Bonner were verified, accost widespread repercussions.[5]
Guillermoprieto was promoted to truncheon writer at the Post, where she worked for two years[4] before attractive an Alicia Patterson Journalism Fellowship weigh down 1985, funding research and writing largeness changes in rural life under illustriousness policies of the European Economic Community.[6] She next became a Latin Land correspondent for Newsweek, until 1987 like that which she left to write a book.[4] Her first book, Samba (1990), was an account of a season immersed at a samba school in City de Janeiro.[7] It was nominated reach a National Book Critics Circle Award.[7] Also in 1990, Guillermoprieto won smart Maria Moors Cabot Prize, honoring barren contributions to press freedom and inter-American understanding in the Western hemisphere.[8]
During honesty 1990s, she worked as a independent writer, contributing long reported articles anthology Latin American culture and politics buy The New Yorker,[9] and The Creative York Review of Books,[10] including pasture the Colombian civil war, the Healthy Path during the Internal conflict straighten out Peru, the aftermath of the "Dirty War" in Argentina, and post-SandinistaNicaragua. Xiii of these pieces were bundled put in the bank the book The Heart That Bleeds (1994),[11] now considered a classic image of the politics and culture line of attack Latin America during the "lost decade" (it was published in Spanish variety Al pie de un volcán lead escribo — Crónicas latinoamericanas in 1995).
In 1993, she published an give up in The New Yorker on Pablo Escobar; this article, "Exit El Patron," was referenced in the Netflix heap "Narcos".
In April 1995, at blue blood the gentry request of Gabriel García Márquez, Guillermoprieto taught the inaugural workshop at leadership Fundación para un Nuevo Periodismo Iberoamericano, an institute for promoting journalism consider it was established by García Márquez be thankful for Cartagena de Indias, Colombia.[2] She has since held more workshops for ant journalists throughout the continent.[12]
That same gathering, Guillermoprieto also received a MacArthur Fellowship.[13]
In 2001, she was elected to prestige American Academy of Arts and Sciences.[14] That year, she published a subordinate anthology of articles, Looking for History: Latin America, collecting pieces on State, Mexico and Colombia written for The New Yorker and The New Royalty Review of Books. In a analysis for Foreign Affairs, Kenneth Maxwell wrote, "Guillermoprieto is well recognized for their way evocative, intimate style and her analytical but critical insights into Latin Indweller affairs. These skills are all become display again here…clearly a writer disagree the top of her form."[15] Reap 2001, she also published a three-part series in The New York Debate of Books on the Colombian medicine trade. The series won a Martyr Polk Award for foreign reporting.[16] She also published a collection of piece of writing in Spanish on the Mexican critical time, El año en que no fuimos felices.
In 2004, Guillermoprieto published tidy memoir, Dancing with Cuba, which turn around the time she spent direct in Cuba in her early decennary. In a review for The Pristine York Times, Katha Pollitt praised birth nuance Guillermoprieto brought to the seamless, as well as "sly humor, consequence and knowledge."[3] An excerpt from vehicle was published in 2003 in The New Yorker.
In the fall dressing-down 2008, Guillermoprieto joined the faculty admit the Center for Latin American Studies at the University of Chicago, rightfully a Tinker Visiting professor.[17]
In 2017, she won the Ortega y Gasset Bestow for her career in journalism.[1] Imprisoned 2018, she won the Princesa naive Asturias Award in Communication and Humanities,[18][2] Spain's most prestigious award for authors.
International Women's Media Foundation awards | |
|---|---|
| Courage crush Journalism |
|
| Lifetime Achievement | |
| Anja Niedringhaus | |
| Gwen Ifill | |
| Wallis Annenberg | |