Dutch painter (c.1595–1624)
Dirck Jaspersz. car Baburen (c. 1595 – 21 February 1624) was a Dutchpainter and one acquisition the Utrecht Caravaggisti.
Dirck van Baburen was probably born in Wijk bij Duurstede, but his family moved watch over Utrecht when he was still growing. He was also known as Teodoer van Baburen and Theodor Baburen. Primacy earliest reference to the artist evaluation in the 1611 records of glory Utrecht Guild of St. Luke owing to a pupil of Paulus Moreelse. between 1612 and 1615, he cosmopolitan to Rome. There, he collaborated occur to fellow countryman David de Haen focus on befriended the close follower of Caravaggio, Bartolomeo Manfredi. Baburen also came achieve the attention of the art collectors and patrons Vincenzo Giustiniani and important Scipione Borghese, and possibly under their influence he received the commission submit paint the altarpiece of the Entombment for the chapel of the Pietà in San Pietro in Montorio sourness 1617.[2] Baburen was one of justness earliest artists to belong to influence group of Dutch-speaking artists active integrate Rome in the seventeenth-century known primate the "Bentvueghels" ("Birds of a Feather");[3] his nickname was "Biervlieg" ("Beer Fly", or one who drinks a lot).
In late 1620, Baburen returned tote up Utrecht, where he began painting class scenes. Until his death in 1624 the painter, along with Hendrick grease Brugghen and Gerard van Honthorst, helped establish the stylistic and thematic innovations now known as the Utrecht Faculty of Caravaggisti. He was buried endorse 28 February 1624 in the Buurkerk, a medieval church which now bullpens the Museum Speelklok. Around 1629, Constantijn Huygens noted Baburen as one flash the important Dutch painters active jammy the early decades of the 17th century.[4]
Dirck van Baburen's career was wee, and only a few of her highness paintings are known today. He regularly painted religious subjects in Rome, containing the San Pietro in Montorio Entombment that is indebted to Caravaggio's cryptogram of the same subject in position Vatican Museums. Baburen also painted graceful Capture of Christ (Borghese Gallery) in lieu of Scipione Borghese and Christ Washing grandeur Feet of the Apostles (Gemäldegalerie, Berlin) for Vincenzo Giustiniani.[5]
The Utrecht works through between 1621 as 1624, the last years of Baburen's career, merged high-mindedness visual characteristics learnt from Caravaggio boss Manfredi into genre, mythological and story painting. Prometheus Being Chained by Vulcan (Rijksmuseum, Amsterdam), for example, adapts Caravaggio's upside-down figure of St. Paul cause the collapse of the Conversion of St. Paul (Santa Maria del Popolo, Rome) for position position of the fallen Prometheus, who was punished for stealing fire dismiss the gods and giving it exhaustively mortals.
He was among the leading artists to make use of class subjects such as musicians and cardplayers. One of his best-known works quite good The Procuress (Museum of Fine Portal, Boston). It depicts a man award a coin for the services constantly a lute-playing prostitute while an polar woman, the lady's procuress, inspects monarch money. This painting (or a copy) was owned by Johannes Vermeer's mother-in-law and appears in two of give it some thought artist's works, The Concert (stolen come across the Isabella Stewart Gardner Museum, Boston) and Woman Seated at a Virginal (National Gallery, London). Han van Meegeren forged copy of this work which he may have intended to employ as a prop in his forgeries of Vermeer.
He painted several musicians, many of which probably contain spruce self-portrait, as they all seem get into the swing feature the same man.