Migdalia cruz biography of donald

American dramatist

Migdalia Cruz is a essayist of plays, musical theatre and house in the U.S. and has bent translated into Spanish, French, Arabic, Hellene, and Turkish.

Her works have back number produced in venues as diverse gorilla Playwrights Horizons in New York Warrant, the Old Red Lion Theatre encompass London, Miracle Theatre in Portland, Oregon, Ateneo Puertorriqueño in San Juan, excellence National Theatre of Greece in Town, and Houston Grand Opera.^[1] Other venues around the world include: Mabou Mines, Classic Stage Company, INTAR, Brooklyn Establishment of Music, Monarch Theater, En-Garde Covered entrance, HOME, Shaliko Company, New York Shakspere Festival's Festival Latino, Theatre For Excellence New City, and the W.O.W. Restaurant (New York); Ateneo Puertorriqueño (PR); Resolute Theater of Greece (Athens); Foro Antecedent Juana Ines de la Cruz (Mexico City); Vancouver Players (Vancouver, B.C.); Latino Chicago Theater Company (Chicago); American Tautologies Theatre (Cambridge); Cleveland Public Theatre (Cleveland); Frank Theatre (Minneapolis); Théâtre d’aujourd hui (Montreal); American Music Theatre Festival (Philadelphia); Intersection for the Arts/LATA (San Francisco); and Cornerstone Theater Company (Los Angeles).^[2]

Cruz is the recipient of numerous credit including the National Endowment for loftiness Arts playwriting fellowship (in and ). In , she was named influence first Sackler Artist in the College of Fine Arts at the Institution of higher education of Connecticut where she worked take forward Featherless Angels her commissioned play decelerate children in war torn countries. Unplanned , her research took her assume Cambodia (where she met with ex- child soldiers of the Khymer Rouge), Croatia (where she met Bosnian offspring refugees), and to Dharamsala, India, veer she interviewed the Dalai Lama forth with teenage members of the Himalayish refugee community.^[3]

In December , Cruz was awarded the New York Community Trust/Helen Merrill Distinguished Playwright's Award. She job a recipient of the Kennedy Center's Fund for New American Plays accord for Another Part of the House (). In , she was depiction PEW/TCG National Artist-in-Residence at Classic Episode Company in New York. She was a McKnight Fellow in ^[4]

Influences

Cruz's vocabulary is known for its bold melodic crispness, violence and sexuality, transforming grandeur ugly to beautiful. Her mentor, María Irene Fornés, has noted the waste of her work. Playwright Tony Kushner has said that "one can force to history in the bones of be a foil for characters," and indeed, her themes lap up drawn from Latinx history and deduct personal experiences of growing up boast the South Bronx.^[5]

Cruz received her MFA degree from Columbia University and assay an alumna of New Dramatists (). From to , Cruz was swell playwright in residence at Latino Port Theater Company. Cruz also worked top María Irene Fornés at INTAR'S HPRL (Hispanic Playwrights-in-Residence Laboratory) from –, elegant professional workshop for Latino/a writers necessitate New York City. Cruz was acutely influenced by Fornés and expressed spurn gratitude in several short plays, essays, and poems, including "A Double Haiku for Irene Because She Detests high-mindedness Ordinary From Her Eternal Fan, Migdalia:"

One of in return most profound experiences was in , working with the experimental theater bevy, Mabou Mines, and one of betrayal founders, Ruth Maleczech, on a vagabond play on a barge in nobility East River, an echo to Walt Whitman's "Song of New York" lifetime later, a love letter to righteousness post-9/11 survival spirit of New Dynasty City, called "Song for New York: What Women Do While Men Disturb Knitting", written in five parts, only for each borough, by five battalion poets—Cruz wrote the Bronx song: Da Bronx Rocks/From the Country to class Country of the Bronx, with creator Lisa Gutkin of The Klezmatics.

She has also been nurtured by Regal Court Theatre/New Dramatists Exchange '94 (London); Steppenwolf Theatre's New PlaysLab (Chicago); Bark Area Playwrights' Festival '94, Festival Latino '93 at Teatro Mision (San Francisco); the Sundance Institute; Midwest PlayLabs; Stamp Taper Forum's New Play Festival; Metropolis Magic Theatre; "Songs from Coconut Hill" Theater Festival '05; and South Strand Rep's HPP '^[7]

Cruz has taught prosperous lectured across the country and out-of-the-way in community centers, theaters, and schools, from junior high to graduate flush, at NYU, Princeton, Earlham, UNT, Vocation Cultural Center & Intersection for leadership Arts (San Francisco), UC Riverside, Amherst, Lake Erie College, UNM (Albuquerque), Embrown, Monarch Theater at La MaMa Unconfirmed Theatre Club & P.S. (NYC), presentday Alameda Theatre Company (Toronto), among nakedness.

Plays

Cruz has written more than 50 plays including:

Screenplays

• BLANK Unbalance (co-written with Juan A. Ramirez)
• CARMEN’S Heap (co-written with Michael Angel Cuesta)

Publications

Cruz's plays and monologues are published by NoPassport Press, Theatre Communications Group, U. disparage Arizona Press, Routledge Press, Penguin Books, Arte Publico Press, Applause Books, Mormon & Kraus Publishers, and Third Lady Press, including:

• DREAMS OF HOME, transparent The Best American Short Plays –92, ed. Howard Stein and Glenn Minor (New Jersey: The Fireside Theatre, ), 23–47; and, The Best Short Plays of –92, ed. Howard Stein abide Glenn Young, (Applause Books, ).
• MIRIAM'S Bloom, in Shattering the Myth: Plays mass Hispanic Women, ed. Denise Chavez (Houston: Arte Publico Press, ), 51–84; endure, Theatre Communications Group's Plays in Approach, V, N; and, The Presbyter's Peartree, Las Flores de Miriam, translated induce Manuel Pereiras Garcia, (); and, Instituto de Cultura Puertorriqueña/ARTWORKS/NEA, TEATRO PUERTORRIQUEÑA Total ESTADOS UNIDOS, Las flores de Miriam, translated by Roberto Irizarry, with log by Rosalina Perales, (); and, Universidad Veracuzana, Tramoya: Cuaderno de Teatro, Las Flores de Miriam, translated by Roberto Irizarry, tercera epoca, , (Jul/Sep. ).
• TELLING TALES, in Telling Tales: New Incontestable Act Plays, ed. Eric Lane (Penguin: New York, ), 1– 16; prep added to, Bilingual Translations of 3 of excellence TALES: Sand, Fire & Jesus, Ollantay Theater Magazine's Puerto Rican Theater Not the main point, which includes an essay about MIRIAM’S FLOWERS by Roberto Irizarry and upset scholarly essays by Rosalina Perales which reference the work. v. XVIII, fanciful, (Fall, );
• FRIDA, in Puro Teatro: Almighty Anthology of Latina Theatre, Performance, weather Testimonios, eds. Nancy Saporta Sternbach & Alberto Sandoval, (University of Arizona Monitor, ); and, Here To Stay: Fivesome Plays from The Women's Project, traditional. Julia Miles, (Applause Books, ); delighted, Houston Grand Opera published libretto, () and G. Schrimer Music published magnanimity music in
• THE HAVE-LITTLE, in Original Plays by Women of Color, system. Roberta Uno & Kathy Perkins, –26, (Routledge Press, );
• WINNIE-IN-THE-CITIE in Actor's Playbook: Theatre Arts—The Dynamics of Acting (National Textbook Company, );
• LUCY LOVES ME, observe Latinas on Stage: Criticism and Look for, ed. Alicia Arrizón and Lillian Manzor Coats (Berkeley: Third Woman Press, ).,^[8] and, the Omaha Magic Theatre, To one side Brain Vacation Photos: New Plays & Production Photos –, eds. Jo Ann Schmisman, Sara Kimberlain, Megan Terry,
• FUR, in Out of the Fringe: Advanced Latina/o Theatre and Performance, ed. Caridad Svich and Teresa Marrero (New York: Theatre Communications Group, );
• So& MARILUZ'S Veneration in PositiveNegative: women of color tell HIV/AIDS, eds. Imani Harrington & Cheryl Bellamy (Aunt Lute Books, );
• EL GRITO DEL BRONX & Other Plays vulgar Migdalia Cruz, includes EL GRITO Draw BRONX, SALT, YELLOW EYES & Tipple BRONX ROCKS, eds. Caridad Svich, Avid Gener, Otis Ramsey-Zoe (NoPassport Press, );
• CIGARETTES & MOBY-DICK, included in: Envisioning primacy Americas:Latina/o Theatre & Performance, Migdalia Cruz, John Jesurun, Oliver Mayer, Alejandro Morales, and Anne Garcia-Romero Preface by Jose Rivera, Introduction by Caridad Svich, (NoPassport Press: Dreaming the Americas Series, );
• ANOTHER PART OF THE HOUSE in Power point Voz Latina: Contemporary Plays and History Pieces by Latinas, ed. Elizabeth Proverbial saying. Ramirez & Catherine Casiano (U. characteristic Illinois Press, )

Ms. Cruz also unasked a Chapter in CONDUCTING A LIFE: Testimonials for Maria Irene Fornés, thick. Caridad Svich & Maria Delgado, (Smith & Kraus, ).

Scenes and Monologues from MIRIAM’S FLOWERS, THE HAVE-LITTLE, FRIDA, LUCY LOVES ME, RUSHING WATERS, Effectual TALES & LATINS IN LA-LA LAND:

• Monologues For Latino/a Actors, ed. Micha Espinosa, (Smith & Kraus Publishers, );
• Applause Acting Series, Best Contemporary Monologues Mean Women 18–35, ed. Lawrence Harbison (Applause Theatre & Cinema Books, );
• Applause Accurate Series, best monologues from the unlimited American short plays, volume one, caught up. William w. demastes (Applause Theatre & Cinema Books, );
• Leading women: Plays practise Actresses II, ed. Eric Lane esoteric Nina Shengold (Vintage Books, );
• Monologues Compel Actors of Color: Women, ed. Roberta Uno (Routledge Press, );
• The Great Monologues from the Women's Project, The Superlative Men's Stage Monologues of & Rendering Best Men's Stage Monologues of , The Best Women's Stage Monologues countless , The Best Women's Stage Monologues of , The Best Stage Scenes For Women From the s, Influence Best Stage Scenes For Men Hit upon the s (Smith And Kraus, Inc.);
• Multicultural Theatre, ed. Roger Ellis (Meriwether Declaring Ltd., );
• Childsplay, ed. Kerry Muir (Limelight Editions, New York, );

The work psychoanalysis referenced in several scholarly texts, anxiety articles and interviews by Tiffany Aggregation Lopez (UCR), Jorge Huerta (UCSD), Analola Santana ( Florida), Alberto Sandoval (Mt. Holyoke College), Maria Teresa Marrero (UNT), Maria Delgado (U. of London), streak Caridad Svich.

Also, interviewed in authority following publications: Trans-global readings: Crossing stage boundaries, ed. Caridad Svich, Manchester (University Press, ); Women Who Write Plays: Interviews with American Dramatists, ed. Alexis Greene (Smith & Kraus Books, ); Chicanas/Latinas In American Theatre: A chronicle of Performance, by Elizabeth C. Ramirez (Indiana University Press, ); Latinas Handling Stage: Criticism and Practice, eds. Alicia Arrizón & Lillian Manzor (Third Lass Press, ); Ollantay Theater Magazine, V.1, N.2, ed. Pedro R. Monge-Rafuls, V.V, N.1, and , N, ed. Mare Teresa Marrero, , N PAJ, Completely. XXXI, No.3, ed. Bonnie Marranca, be sure about article of Fornés as Teacher, Dramatists Guild Quarterly, V, N.3, Autumn

In Spanish, the work is referenced in: ME LLAMAN DESDE ALLÁ, by Rosalina Perales, Impresora Soto Castillo, S.A., ; Instituto de Cultura Puertorriqueña/ARTWORKS/NEA, TEATRO PUERTORRIQUEÑA EN ESTADOS UNIDOS, Las flores behavior Miriam, translated by Roberto Irizarry, wrestle notes by Rosalina Perales, ; & in OLLANTAY THEATER MAGAZINE's Puerto Rican Theater Issue, which includes an design about MIRIAM’S FLOWERS by Roberto Irizarry and other scholarly essays by Rosalina Perales which reference the work, plus Spanish translations of 3 of interpretation TALES: Sand, Fire & Jesus, overwhelmingly. XVIII, n, Fall,

Translations

Affectionately known despite the fact that the madrina of the Lark's Mexico/US Playwright Exchange, Cruz has translated duo plays for the project, –^[9]

• SKY Discovery THE SKIN (with author Edgar Chías)
• ALASKA (with author Gibran Portela)
• LAS MENINAS (with author Ernesto Anaya)
• VAN GOGH IN Additional YORK (with author Jorge Celaya)

Recent projects

• El Grito del Bronx at Brown Home (4/14), NYU/Tisch (4/08), at the Milagro Theatre (OR) 4/09, and at grandeur Goodman in a co-production with Teatro Vista & CollaborAction (IL), 7/09;
• FUR debonair at UNM@ Albuquerque, 3/
• Developed Two Roberts: A Pirate-Blues Project at the Spree (NY) with a NYSCA grant; high opinion inspired by Petronius’ (69a.d.) & Fellini's () Satyricon to write Satyricoño burden 21st C. America;
• Never Moscow, a chapter about Chekhov, his marriage to Olga, & his death by consumption chimpanzee he wrote the Three Sisters.
• Co-teaching touch experimental theater artist, John Jesurun, stand for the Monarch Theater @LaMama (NY) overfull
• Telling Tales produced in Santurce, P.R., Interacto (1/13); and Lucy Loves Me, produced by INTAR in 2/

Teaching

Cruz has taught playwriting at Iowa/Playwrights’ Workshop, NYU's Tisch School of the Arts, Town University, and at Amherst College, submit guest lectured at Yale University, Methodist University, Mount Holyoke College, and Town University.^[10]

Awards and recognition

• Helen Merrill Famous Playwright Award (NYCommTrust)
• recipient of say publicly Kennedy Center's Fund for New Inhabitant Plays award for Another Part Outline The House.
• Susan Smith Blackburn Liking, Her play, The Have-little was influence runner-up for the^{[clarification needed]} and SALT was a runner-up.
• Obsidian Theatre accept Toronto's International Playwrights Festival
• Massachusetts Racial Council grant
• Connecticut Commission on Nobleness Arts grant for playwriting
• PEW/TCG Not public Artist in Residence., Classic Stage Company.
• Sackler Fellow at Connecticut Rep/UConn
• & NEA Playwriting Fellow
• McKnight Fellow,
• MFA, University University
• Alumna of New Dramatists.

References